Imagine

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2003

Imagine

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Imagine is a wide ranging arts series first broadcast on BBC One in 2003, hosted and executive produced by Alan Yentob. Each series usually consists of 4 to 7 episodes, each on a different topic. Episodes have been directed by, among others, Geoff Wonfor, Lucy Blakstead, Roger Parsons and Zoë Silver.

2002

Imagine That

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Imagine That is an American sitcom television series that aired from January 8 until January 15, 2002.

1970

Imagine Island

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Imagine Island is a children's television program designed to teach English as a second language to younger children. Each episode features stories, songs, and focuses on one letter of the English alphabet. The show is based on Imagine Learning English, an ESL computer program created by Imagine Learning, Inc. a software company based in Provo, Utah.

2018

Imagine Me Without You

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Lai Min and Ding Yi Zhou, two young people from Liuzhou, Guangxi, once attended elementary school together. Originally, their lives never intersected but because of Lai Min’s hereditary family disease, the two met again and fell in love. As Lai Min’s illness gradually worsens, she draws up a wishlist of places throughout China that she would like to visit. Ding Yi Zhou decides to help fulfill Lai Min's wish and together they embark on a trip across China.

1970

Imagining Indians

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Imagining Indians is a 1992 documentary film produced and directed by Native American filmmaker, Victor Masayesva, Jr.. The documentary attempts to reveal the misrepresentation of Indigenous Native American culture and tradition in Classical Hollywood films by interviews with different Indigenous Native American actors and extras from various tribes throughout the United States. With an all-Indian crew, Victor Masayesva visited tribal communities in Arizona, Montana, New Mexico, South Dakota, Washington and the Amazon to produce this film. Masayesva says, "Coming from a village which became embroiled in the filming of Darkwind, a Hollywood production on the Hopi Reservation, I felt a keen responsibility as a community member, not an individual, to address these impositions on our tribal lives. Even as our communities say no, outsiders are responding to this as a challenge instead of respecting our feelings... I have come to believe that the sacred aspects of our existence which encourages the continuity and vitality of Native peoples are being manipulated by an aesthetic in which money is the most important qualification. This contradicts the values intrinsic to what's sacred and may destroy our substance. I am concerned about a tribal and community future which is reflected in my film and I hope this challenges the viewer to overcome glamorized Hollywood views of the Native American, which obscures the difficult demands of walking the spiritual road of our ancestors."

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